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	<title>Comments on: Electric in the Night</title>
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	<link>http://elephantwords.co.uk/2010/02/03/electric-in-the-night/</link>
	<description>One Image, Six Writers, Daily Words. The site about Interpretation, Inspiration and Improvisation.</description>
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		<title>By: Simon</title>
		<link>http://elephantwords.co.uk/2010/02/03/electric-in-the-night/#comment-22605</link>
		<dc:creator>Simon</dc:creator>
		<pubDate>Sun, 07 Feb 2010 12:20:56 +0000</pubDate>
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		<description>Nicolas: thanks! It doesn&#039;t sound that pretentious to me, but I&#039;m sure you know best. 

Rivka: thanks! That juxtaposition of belonging and loneliness was something I was hoping would come through.</description>
		<content:encoded><![CDATA[<p>Nicolas: thanks! It doesn&#8217;t sound that pretentious to me, but I&#8217;m sure you know best. </p>
<p>Rivka: thanks! That juxtaposition of belonging and loneliness was something I was hoping would come through.</p>
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		<title>By: Rivka Jacobs</title>
		<link>http://elephantwords.co.uk/2010/02/03/electric-in-the-night/#comment-22536</link>
		<dc:creator>Rivka Jacobs</dc:creator>
		<pubDate>Fri, 05 Feb 2010 17:35:28 +0000</pubDate>
		<guid isPermaLink="false">http://elephantwords.co.uk/?p=3566#comment-22536</guid>
		<description>A wonderful, descriptive short. I agree with George, that this seems the prelude to a larger story! 

Beautifully written, I also got the feeling (like George again) that it&#039;s almost cinematic. One can feel the camera panning, hear the narrator&#039;s voice. 

The best part for me was the sense of humanity, and the subtle exploration as to why, psychologically speaking, such establishments exist in the first place. The people, the sense of community, the sense of belonging in a world that can be alienating and lonely. 

The narrator almost, very subtly, stood outside the neighborhood he described, as if looking in but not being a part of it, communicating this to the reader. So when you take the reader into the the bar at the end, the reader is struck strongly by the social, the convivial, the idea of this being an island of belonging</description>
		<content:encoded><![CDATA[<p>A wonderful, descriptive short. I agree with George, that this seems the prelude to a larger story! </p>
<p>Beautifully written, I also got the feeling (like George again) that it&#8217;s almost cinematic. One can feel the camera panning, hear the narrator&#8217;s voice. </p>
<p>The best part for me was the sense of humanity, and the subtle exploration as to why, psychologically speaking, such establishments exist in the first place. The people, the sense of community, the sense of belonging in a world that can be alienating and lonely. </p>
<p>The narrator almost, very subtly, stood outside the neighborhood he described, as if looking in but not being a part of it, communicating this to the reader. So when you take the reader into the the bar at the end, the reader is struck strongly by the social, the convivial, the idea of this being an island of belonging</p>
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		<title>By: Nicolas Papaconstantinou</title>
		<link>http://elephantwords.co.uk/2010/02/03/electric-in-the-night/#comment-22496</link>
		<dc:creator>Nicolas Papaconstantinou</dc:creator>
		<pubDate>Thu, 04 Feb 2010 12:19:36 +0000</pubDate>
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		<description>Lovely piece of writing, Mr Smithson... Like George says, the image seems to be prompting posts with a strong sense of place, and each piece seems to have a different relationship with the place in it.

Which sounds &lt;i&gt;really&lt;/i&gt; pretentious, now that I read it back. What I&#039;m trying to say is I liked it!</description>
		<content:encoded><![CDATA[<p>Lovely piece of writing, Mr Smithson&#8230; Like George says, the image seems to be prompting posts with a strong sense of place, and each piece seems to have a different relationship with the place in it.</p>
<p>Which sounds <i>really</i> pretentious, now that I read it back. What I&#8217;m trying to say is I liked it!</p>
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		<title>By: Simon</title>
		<link>http://elephantwords.co.uk/2010/02/03/electric-in-the-night/#comment-22494</link>
		<dc:creator>Simon</dc:creator>
		<pubDate>Thu, 04 Feb 2010 12:06:44 +0000</pubDate>
		<guid isPermaLink="false">http://elephantwords.co.uk/?p=3566#comment-22494</guid>
		<description>Hey, thanks George! 

I&#039;ll see if I can get Michael C. Hall... I like his narration a lot.</description>
		<content:encoded><![CDATA[<p>Hey, thanks George! </p>
<p>I&#8217;ll see if I can get Michael C. Hall&#8230; I like his narration a lot.</p>
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		<title>By: georgelondon</title>
		<link>http://elephantwords.co.uk/2010/02/03/electric-in-the-night/#comment-22476</link>
		<dc:creator>georgelondon</dc:creator>
		<pubDate>Thu, 04 Feb 2010 01:59:46 +0000</pubDate>
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		<description>Welcome! There&#039;s something so very strong in the calling of this image I think that keeps pulling all thoughts back to telling the story of the bar behind it, even when you transpose it to a new world like Ian did on Tuesday in &lt;a href=&quot;http://elephantwords.co.uk/2010/02/02/the-poets-of-mars/&quot; rel=&quot;nofollow&quot;&gt;The Poets of Mars&lt;/a&gt;.

I really like the way this reads like the introduction to some bigger story - it feels quite cinematic to me actually; in spite of its very modern references, something Noir... I hear Richard Burton or James Earl Jones narrating the opening shots, helping set the tone of something at odds with what we&#039;re seeing...

Great start Simon. Looking forward to the rest!</description>
		<content:encoded><![CDATA[<p>Welcome! There&#8217;s something so very strong in the calling of this image I think that keeps pulling all thoughts back to telling the story of the bar behind it, even when you transpose it to a new world like Ian did on Tuesday in <a href="http://elephantwords.co.uk/2010/02/02/the-poets-of-mars/" rel="nofollow">The Poets of Mars</a>.</p>
<p>I really like the way this reads like the introduction to some bigger story &#8211; it feels quite cinematic to me actually; in spite of its very modern references, something Noir&#8230; I hear Richard Burton or James Earl Jones narrating the opening shots, helping set the tone of something at odds with what we&#8217;re seeing&#8230;</p>
<p>Great start Simon. Looking forward to the rest!</p>
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